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Would you do it?

Thursday, September 25th, 2008

Often would-be clients come to me with ideas for books they would like me to write. After several discussions about the whys and wherefores, we come to the point where fees have to be discussed. It is then that they tell me sweetly, that if I write their books and find them an agent or publisher (which requires considerable expenditure of time and money - for postage, materials such as printer ink, paper for say 300 page books, envelopes etc. multiplied by how many tries you make before you are finally accepted), then I would have dubious honour of getting a ‘percentage’ of the books’ profits.

Okay, imagine that the ghostwriter really believes the project is hot, spends three to six months writing a book, and is willing to fork out to have it seen, lets look at some of the logistics. Many agents are as hard to engage as the publishers themselves. They and publishers often will not consider a manuscript, which has been sent elsewhere so you have to wait for them to reject you before you can try someone else. Many will tell you to expect their answer from anything between three and six months time. In other words just approaching 2 publishers or agents can mean a wait of six months to a year!

Lets say we get lucky and find a publisher within six months, many will want amendments which can add perhaps another couple of unpaid months to the ghostwriter’s time. Then the publisher rolls into gear in a process that can see your book take another year before it hits the shops. That means the best part of two years has passed since the book was completed!

Unfortunately, when your book is released, it clashes with a momentous event! Elvis, who has been hiding in the desert while he wrote his wonderful epic, which is very similar to your own, has been published just a fortnight before your book is in the shops. People flock to buy his. Your opus, over which the ghostwriter slaved over in anticipation, gets left on the shelf and earns exactly nothing. For giving up a large chunk of his or her life, the ghostwriter earns a percentage of air … which I grant you might just be fresh, but even so, not nourishing.

So tell me, if you were a ghostwriter, would you do it?

Harlan Ellison sure wouldn’t and to see why, watch this video.

by Mel


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Ghost writers need to eat, too!

Friday, August 29th, 2008

Every week or so, a potential client asks me whether one of our writers would be willing to work on spec, to accept payment when the book gets published, to work as a partner, or some other euphemism for assuming the risk of the client’s project.

For anyone considering asking me this question, here are my top reasons why this makes about as much sense as investing in the moat-digging business:

  1. The writer is your supplier.   Would you ask a plumber, landscape architect and roofer to accept payment on when — and if — your house sells?
  2. Asking a supplier to forego payment in the hopes of making a bigger ROI when you publish is essentially asking them to invest in your idea for a book.  These are writers we are talking about.  They have dozens of their own ideas they would rather invest in.
  3. It takes time for a book to get published.  Unless you happen to be a former president or major league MVP, your writer could starve while waiting for you to publish.
  4. The reality is that most books will never see the light of day.  What?  Does the writing suck?  Not with our writers!  Does the idea suck?  Actually, almost everybody who comes through the door with the greatest idea ever…has a pretty good idea for a book.  Maybe not the greatest idea ever, because the Bible and The Hitchhikers Guide to the Galaxy have already been written, but nevertheless the ideas are pretty good.  But it takes perseverance to keep knocking on doors, like the folks at Chicken Soup for the Soul did, year after year until finally a publisher agrees to give it a go.  And our writers don’t feel like gambling a couple months of pay that a client might just be the rare gem able and willing to do that.
  5. Believe it or not, life gets in the way.  Clients disappear all the time.  Seemingly reliable clients.  It’s really amazing how often people who decide to write a book get stricken by disease, get surprised by divorce, lose a very close relative or simple vanish without a trace (Yes, this has happened several times!).*  In fact,  if the insurance companies had access to my statistics, it would be justifiable cause for them to cancel your insurance right now on the spot, as well as the insurance of everybody related to you.  Your writer doesn’t want to do a month of work for you and hope you’ll stick around, ignoring everything else in your life.
  6. If you are writing a book hoping to sell it, you are undertaking a business venture.  Every business venture requires start-up capital.  Even a hot dog stand.  What makes this business venture so attractive is that $10,000 or $20,000 is peanuts.  You won’t get a fast food franchise for those pennies.
  7. Our writers are professionals, not part-time college students looking to puff up their CVs.  Please treat them like professionals.

There probably are many other reasons why our writers don’t want to work for free, hoping that at some point in the future they might get paid.  I fact, I suspect that when they read this post, I might get a few more ideas.  And I might add them here. 

* One client who vanished into thin air, a really nice gentleman, popped up again eight months later.  A car crash, a marital breakdown, a move to a new city…and he was ready to start up again.  But most MIA clients never turn up again.

by David


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